The artistic practice of Eric Vernhes relies on the creation "of objects time". This concept, derived from phenomenology, describes the devices with an intrinsic movement which marries that of the The viewer's conscience. Eric Vernhes uses it in his work for create a magical moment: The one where the spectator's imagination, put in movement through the work, comes to incarnate itself in it. Our body, our emotions, our ideas are constantly moving. Confronted movement of the work, a relationship of sympathy is created with it by synchronicity. This relationship with an object makes us realize of our materiality: Before anything else, and without demonstration of the existence of the soul, the spectator is a body, precise moment, in a given place, immersed in the contemplation of its His own imagination that he throws into the work. A parenthesis opens then in the incessant movement that propels him towards his finitude. There has an intrinsically, specifically human experience: The artistic experience. Often art offers questions. The work of Eric Vernhes proposes an ambition: to conquer an ever higher level of consciousness of ourselves, of our bodies, world and time in order to perpetuate, despite all the challenges, the experience of our humanity.
